“F1 The Movie” is a very expensive promotional film
Will it rev up new fans for the motorsport?

Hollywood has not always been kind to the world’s most popular motorsport. In “Talladega Nights” (2006), a dimwit comedy, Formula One (f1) was personified by a French driver who brags that his countrymen “invented democracy, existentialisme and the blowjob”. F1, in this telling, was pretentious and it was foreign: an interloper in NASCAR-loving America.
This article appeared in the Culture section of the print edition under the headline “Pitt stop”
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